Klaudia Kemper is an artist renowned for its strong artistic production and the weight of it. In her long career she has always worked with the image integrated pictorial proposed expanding the materiality of the image from the fabric to paper, to screen and pigment to light and photography movement, making facilities multilevel and records.

This time, with The present (does not exist), in its ongoing quest expressive always working from her own body, she needed the time dimension so as to allow experimentation of persistence in the same space. In this bold and risky film, and from my point of view very successful, Klaudia manages to reveal a world and a pain to work only with the resources of the language of cinema, especially over time (after the small space delimited her apartment) rhythm and repetition. On this basis are the beauty and personality of the images, frames, and a band of mysterious sound and at the same time documentary.

The present (does not exist) contains what a good documentary film is: a bet unsecured result where the process of performing naked contention of the author who chooses the risk rather than certainty.

Ignacio Aguero, Filmmaker